🇸​🇦​🇲​🇺​🇪​🇱​ 🇨​🇷​🇴​🇼​🇪​ (
pridecroweth) wrote2020-08-27 05:10 pm
psl;
jamjar au;
monster attacks, low resources, no revival mechanics ingame but no power nerfing either.
weapons are available but hard to find. monsters are 'corrupted' but their bites don't transfer it. they are however v slow to heal.
set in a super fancy old museum with active historical displays. however, there's been lots of damage to the building/displays, few are 100 percent intact. the pcs have set up in the basement where the valuable archives were kept bc there's an actual vault.
power has been jury-rigged by pcs (idk, maybe tony stark is wandering around). water and food need to be scavenged for and rationed. maybe 30-40 pcs at present?
sam checks in with them regularly but has a 'hide-out' that's actually an old security/control room that overlooks one of the larger display rooms.
monster attacks, low resources, no revival mechanics ingame but no power nerfing either.
weapons are available but hard to find. monsters are 'corrupted' but their bites don't transfer it. they are however v slow to heal.
set in a super fancy old museum with active historical displays. however, there's been lots of damage to the building/displays, few are 100 percent intact. the pcs have set up in the basement where the valuable archives were kept bc there's an actual vault.
power has been jury-rigged by pcs (idk, maybe tony stark is wandering around). water and food need to be scavenged for and rationed. maybe 30-40 pcs at present?
sam checks in with them regularly but has a 'hide-out' that's actually an old security/control room that overlooks one of the larger display rooms.

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[ He doesn't finish the statement, the threat's implicit — he can stay here and rot if he wants, but Carver's not subtle. He and idle get along like a house on fire.
Sam's already got a ruck slung across one shoulder, a rifle cradled in the crook of his arm, pointed at the ground. He's not wearing any armour and doesn't seem especially bothered by it. ]
Don't expect to be back for at least a week. You got anybody to say your goodbyes too, I'll catch you at the north gate in an hour.
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[ He breezes right past the implication that he's got anything better to do. Already Carver's squirreled away a little stash - not much, but enough to keep himself going - and booby trapped the shit out of it. He has a gun and enough ammo to keep things interesting, his knives and his whip. It's a good start. And what else is he going to do, listen to the idiot chorus chatter at each other and whine about sleeping on the floor?
Half of these people are weak. The rest of them are soft. Even the ones that know how to scavenge don't know enough. They're optimists, convinced God loves them just for breathing. They'll fall when the time comes to be tested. He knows. No point in sticking around watching.
No point in killing all of them now, either. This scheme works best with a group.
He shoulders the pack. Grins at Sam, flashing his teeth. ]
C'mon, Ranger, let's get to it.
[ Carver pays attention. He acts like an idiot grunt half the time but he clocks details. The way Sam walks, holds himself, holds that weapon. And the tattoo - telling. ]
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Keep up or get left.
[ It's perhaps a little adversarial, but he doesn't seem to have an issue with turning his back to the guy as he heads for the north exit. Taking point naturally, because that's what he did with Hoi and Alvarez. ]
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[ It’s second nature to bite down on any exposed flesh, figure out what makes a man tick. The machine of him, the shape of his soul. This place might not be real-might actually be Hell, if they’re feeling spicy—but it’s as close to real as Carver can get and so he intends to grab with both hands. Play the game out until the end.
Or at least until God or the commander tell him otherwise.
He laughs a little but follows. Apparently Sam knows where they’re going. And for all Carver’s jokes, he falls in line readily enough. This part he knows. ]
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[ Trashtalk is basically military standard at this point, and he's no stranger to it. It isn't said with any real bite to it — banter's no place for real animosity anyway. ]
You gonna do this verbal diarrhea thing the entire time?
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[ It's said in a drawl, noise for the sake of noise. The sort of needling that was standard in the Army way back when there was still an Army, still a world that could pretend at civilized. They're beyond that shit now but Carver remembers the patterns and he means to understand how these people tick. Sam's more of a threat than some of the others, but still an unknown. And if you annoy people enough, eventually they respond and reveal the interesting little bits of their selves.
Eventually. It's a work in progress.
Carver just grins at Sam. He has time. Probably something will try to kill them shortly and that'll be fun, but until then, he can bite at Sam until something interesting happens. ]
You might hurt my feelings.
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[ It's desert-dry, tossed over one shoulder as he ducks and twists to get beneath a toppled display case. Glass crunches beneath his boot as he does it — long since busted out of the steel and wire frame. The old mannequin, showcasing some local regalia, is tattered and dulled by time. Its battery of old war medals is gone, taken and melted down for whatever copper or bronze they could get out of them.
Sometimes, this museum feels like a prison. And they've only been here a few weeks — who knows what the next six months might bring. ]
So, you caught me out. [ A tap to his left bicep, where the oldest of his tattoos resides. Not many people familiar enough with the Rangers here to recognize its provenance. ] Don't tell me you were Chair Force, I'd have to kick your ass on principle.
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Even if he's not sure who the commander is now, if his memory of Pope's body so still and empty on the roof is real. If he remembers his failure as accurately as it happened when Shaw became the commander.
His fingers twitch. He tucks that thought down deep where it belongs. ]
Ew. I look like Chair Force?
[ He shudders theatrically. ]
Army. You know, the ones doing the real work.
[ Sam would know. It's one of the few things to like about the man. They speak the same dialect even if God doesn't love Sam. ]
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Thankfully, though — he's used to overriding those animal instincts. The crow might hate it, but the man abides. ]
Nah. Just figured I'd get a rise out of you.
[ The intensity, and the immediacy with which Carver tends to obey orders — he'd actually assumed SF.
They reach the doors that will lead them outside. One is hacked apart, rent by the claws of one of the monsters, reinforced with a steel locker. He has to shoulder the locker up so they can scramble out, gesturing for Carver to overtake him. ]
I did two tours in Afghanistan, three in Iraq. Got out in '08.
[ It's calculated. He doesn't talk about his service almost at all — the people who know, know. But Sam knows how to lay things on the line to build a rapport. It's one of the reasons he works so well with the kids — they want their adults relatable. They want to know someone sees them. So he's no stranger to finding commonalities, whether it's doing some dumbass Fortnite dance or idly discussing a favourite band. Luckily, most adults are former kids ('most') themselves, so the tactics work even when you need to adjust for experience. ]
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[ He hums, accepting that. There's a tendency, Carver's found, of soldiers to list out tours and ranks and unit markers like grave stones; this is what I survived, this is what falls in my wake, and in this you will understand my worth. And he gets it, to some extent, because saying he's a Reaper does the same to the ones who matter. The only problem being that once he starts laying out his gravestones, people start assuming his loyalty, start thinking they've got any right to the story behind them.
Still. The shape of a man can be useful to know. ]
Afghanistan. Four tours.
[ His smile is thinner this time. A ghost in his teeth. ]
We ran in the Valley of Death.
[ Maybe Sam knows the moniker. It'd sounded like grandiose bullshit to Carver at the time, all of nineteen when his boots first hit the ground there. A prank the NCOs were playing on them all. Like all the Reapers who survived, he learned fast. ]
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the staircase leading to the museum is long, broad concrete, the steps themselves almost comedically large, the guard-rails perfect for skateboarding. he hikes his pack higher on one shoulder, alert up now that they're out in the open. scanning distant sightlines for the glint of a scope, or any movement. there's no guarantee that they're the only people here, after all. ]
You would've been south of me, then.
[ they toured the hindu kush. those godforsaken mountains he'd admired the wild beauty of once. ]
Rough place for you boys.
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The world is simple like that. Praise God.
Carver hums again. He doesn't really want to think of Korengal right now, those cold nights and the way blood sank black into the dirt. The ambushes and the time he got blown up, shrapnel biting through his armor and nearly shredding his hip. He carries the scars now but he survived, which was his privilege. God loves you, son, the commander whispers.
Or God did love him. Hard to be sure about the here and now. ]
Everything was simple there.
[ He supposes he misses that, though the lesson was echoed out afterward. Is still being echoed. ]
Kinda like now. You fight or you die.
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They hit the street, which looks war-torn enough to be familiar. Twisted scrap metal that used to be vehicles, cracks in concrete from mortar rounds or whatever the equivalent is on this world. They don't walk abreast of one-another, Carver lingering behind him. But their steps are nearly soundless, walking quietly in sync.
The rifle rests comfortably in the crook of his arm, ready to sling up at a moment's notice. ]
Simple, huh?
[ That's one way of looking at it. Simple's relative. He's not sure yet if he misses the desk job or not — but there's sure something primal about living a kill-or-be-killed lifestyle. It crowds out room for everything else. It strips you down to nothing. It's uncomfortably familiar, heavy like the wedding ring hung around his neck.
Simple. It implies that what followed wasn't. ]
What'd you do after?
[ Carver strikes him as being like Anderson — very till death do us part. But he could be speaking literally — that Afghanistan itself was simple, and any deployments that followed were less so. He'd started feeling conflicted about Iraq long before the ambush. ]
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Not yet, anyway.
Carver just shrugs at that, watching the corners, watching Sam. He's thinking about Sam's rifle and whether he wants to take it. The cost benefit analysis of drawing his pistol and shooting Sam in the back of the skull. There's no honor in the scrum, not really, not like he thought when he was green. And a good, working rifle is worth more than a man's life these days.
It'd be trouble, though. More than he wants just yet. Maybe later. He supposes Sam's making a similar equation about the body armor, about the resources that Carver's taken from the group. Food, clean water, ammunition. It all adds up. ]
Contractor, [ he replies blandly. ] And then the world ended.
[ So it goes. ]
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'Ended' how?
[ It's lightly curious, no judgment. could be an exaggeration, could be something like Armageddon (less Bruce Willis). Could even be a dramatic way of saying he died — Sam's learned not to make assumptions out here, not when every other person talks about gods and monsters, not when being a shifter is pretty well small-fry. ]
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[ It's said without much emotion at all. Carver's given that speech a couple times now and not a single person has recognized what he's talking about. Or if they have, they reference movies he's never seen, books he's never read, with an air of indulgent pity that makes his jaw tense up and his chest ache. No one understands, or cares to try.
It shouldn't bother him. He hates that it does. That on some level, everyone he meets is wondering if he's lost his marbles. Because you have to wonder, don't you, when somebody starts listing off impossible shit.
Everything comes with a context, after all.
He keeps walking. Steps through broken glass, watching for trip wires. For IEDs. For hungry, grasping hands. ]
It's nice having food, [ he adds, in that same bland tone. He knows it won't last, but it's nice, even with the rationing. ]
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But by that same stroke, if he were to tell someone he's a Shifter, that he's been hunted for it, that there's a witch who can call the dead who's been after his family for generations, they'd think he was crazy too. So, maybe he can manage curious. ]
Huh. [ That's it, the sum of his response to the hungry dead. ] Be a lot nicer if we had a couple rib-eye now and then.
[ Actually not untrue — expired MREs leave a lot to be desired in the flavour department. ]
Whole time I was in Iraq, all I could think about was carne asada.
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But his brothers aren’t here, Carver reminds himself. His brothers are dead on the ground in Meridian. Rotting like all the other forgotten bones.
His fingers twitch. It takes him a moment to refocus, to remember that Sam’s here, sniping and forth with him. Sam, who doesn’t say a damn thing about the rotters or the world ending but once missed carne asada, which Carver’s grandmother used to make sometimes. ]
Enchiladas for me, [ he says after a moment, more honest than he cares for. ] The real ones. Not the bullshit they served.
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Good ol' number 15. Only edible with tabasco sauce.
[ And even then, 'edible' is... debatable. ]
Had one guy on my crew that loved 'em. Crazy fucker.
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Kids went hog for the chili mac, [ he replies, a little wistfully. ] Never saw the appeal.
[ Kids, he calls them, though most of those soldiers were only a year or two younger than Carver himself at the time. All of them were seasoned, brutal fighters. But they were his responsibility in a lot of ways and so his kids they remained. Most of them died there. ]
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[ You could eat it hot or cold, and it tasted about the same. Plus, it came with m&ms — always good for a trade. ]
Didn't hate the maple sausage. Close second.
[ Hell, he can still taste 'em. Lot of long nights beneath the stars in the cold of the Hindu Kush, relying on the heating packs built into some of the MREs to get a lukewarm cup of coffee, shoveling down calories in spare moments. He misses the men, not the misery. ]
What was your holy grail?
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[ That little burst of chocolate and the crunch between his teeth—yeah. He felt human then.
Carver steps over another skeleton, watching their corners. ]
I made fry bread once over a hot plate, though. That was a hit. Don’t ask where I got the oil.
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Brother, I don't want to know.
[ Sometimes you're better off not asking. Needs drive, and all that. It's not lost on him that a white guy wouldn't get the significance behind it — but he's never met anyone with a lick of native blood that didn't have their grandma's frybread recipe memorized by heart. ]
You're in for it now, though. We find the ingredients for it, I'm gonna hold your feet to the fire until you whip up a batch. Hell, I'll make wajapi if we can track down something like a chokecherry.
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Fuck, I haven't had wajapi in years. My grandma's friends made that shit when they visited.
[ It's more honest than he intended when they set out, crossing over bones and broken ground. Maybe too honest. But: ]
We're Purépecha, [ he adds, watching Sam. ] But granny was friends with everybody. She knew folks from all over.
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[ His was just the same. Community is held together by the will of women. There's a brief, speculative silence as they pass by the burnt-out tank, slowing to check corners and sightlines, and then: ]
Oglála Lakȟóta Oyáte.
[ That's deliberate. He'd have stopped at Lakota with most other people, but acknowledging the sub-tribe — and its prominence as a member of the seven council fires — it's more personal. There was a time he would have been too ashamed to say it, back when he kept his hair short and knew only a handful of words. Now, nearly fluent, these things have a way of building a home inside you. ]
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