🇸​🇦​🇲​🇺​🇪​🇱​ 🇨​🇷​🇴​🇼​🇪​ (
pridecroweth) wrote2020-08-27 05:10 pm
psl;
jamjar au;
monster attacks, low resources, no revival mechanics ingame but no power nerfing either.
weapons are available but hard to find. monsters are 'corrupted' but their bites don't transfer it. they are however v slow to heal.
set in a super fancy old museum with active historical displays. however, there's been lots of damage to the building/displays, few are 100 percent intact. the pcs have set up in the basement where the valuable archives were kept bc there's an actual vault.
power has been jury-rigged by pcs (idk, maybe tony stark is wandering around). water and food need to be scavenged for and rationed. maybe 30-40 pcs at present?
sam checks in with them regularly but has a 'hide-out' that's actually an old security/control room that overlooks one of the larger display rooms.
monster attacks, low resources, no revival mechanics ingame but no power nerfing either.
weapons are available but hard to find. monsters are 'corrupted' but their bites don't transfer it. they are however v slow to heal.
set in a super fancy old museum with active historical displays. however, there's been lots of damage to the building/displays, few are 100 percent intact. the pcs have set up in the basement where the valuable archives were kept bc there's an actual vault.
power has been jury-rigged by pcs (idk, maybe tony stark is wandering around). water and food need to be scavenged for and rationed. maybe 30-40 pcs at present?
sam checks in with them regularly but has a 'hide-out' that's actually an old security/control room that overlooks one of the larger display rooms.

no subject
I became a slave.
[ He says that dismissively. Like a footnote. Just one quiet little underpinning in a long, long life. It's not quite the truth. It's also not quite a lie. But it's sanitized in a way that's meant to evoke a less specific sort of pity. Slaves still have some amount of free will, at the end of the day — even if it's spent surviving. ]
Didn't stick.
no subject
Funny, that.
Carver just watches him for a moment. He takes a shaky breath, then exhales. And he takes the cigarette, sitting up just long enough to take a drag. It burns down into his lungs.
It's something to focus on, at least.
He passes it back. ]
I think I've lost my mind, [ he explains, almost conversationally. Lost, past-tense, it's already happened. ]
no subject
[ It's said with a measure of agreeability. Hasn't he been crazy, too? ]
The good news is, if you're lucid enough to recognize that, you can probably do something about it.
no subject
It's easy to die, too. Life's not all that precious now, if it ever was. ]
Hasn't been going well, [ he points out softly. He's not so far gone he's lost that. ]
no subject
[ 'I've tried nothing and I'm all out of ideas!' energy over here. ]
Newsflash, asshole, humans benefit from having a tribe. And I know you're gonna go all puppydog eyes on me and boohoo about how everyone in your little coterie of weirdos is dead or at least not here, or whatever other sob story that's got your dick in a vice. Don't get me wrong, that sucks. But you aren't doing yourself any favours, either.
no subject
Why’re you out here?
no subject
[ Hard to tell if he means that seriously or not. There's a twitch of his fingers where he's holding the cigarette and then: ]
I can teleport, so, you know. Distance ain't no thing if I ain't got that swing.
no subject
Carver rests his head on his knees. He wonders what the fuck he’s supposed to say to that. ]
Why’re you still hanging around, then?
no subject
[ He ducks his head, rubs the back of his neck, fingers hinging on the trap muscle as he stretches a bit. ]
If you live a dozen millennia, you'll hang around places just for the hell of it, too.
no subject
[ He can already picture it stretching out empty before him. An unbroken, brutal landscape.
Carver closes his eyes. He’s so goddamn tired. ]
But I think I’m dead anyway, [ he adds conversationally. ] What’s your name?
no subject
[ It Sucks, Actually. ]
You can call me Cy.
no subject
He shifts a little. Digging his nails into his knee. ]
I'm Carver.
[ He doesn't quite know what to do here. Everything still feels a little distant from him. Unmoored. ]
no subject
[ Ha, ha, get it? ]
I don't do that last name hoo-ah shit. You got a first name floating around in there or am I just gonna religiously call you 'Bob' until the heat death of the universe?
no subject
Nobody uses it anymore.
[ Not even inside his own head. ]
no subject
[ 'Nobody'. Maybe you had to be there. ]
I'll tell you my original name if you tell me your first.
no subject
Okay, Nobody. It was Brandon.
no subject
[ Okay but actually he's delighted that the dude caught his reference, because Cy is in fact a giant fucking nerd. ]
Mine was Auhle. And before you ask — yes I did indeed do my paperwork. Turns out paper isn't designed to last ten thousand years.
no subject
He rests his head on his knees. He wonders if he should grab his gun back. Cy or Auhle took the clip and that's just fucking gone, but Carver has others. He always has backups. ]
It mean something?
no subject
[ The only reason he remembers it at all is because KV wouldn't let him forget. The name was used to mock and deride a weak man. He feels no especial attachment to it now, beyond knowing that he doesn't especially like hearing it. ]
Dead culture, dead language, and a long time ago. If I had to guess, it probably fit the shape of who I was as a human, and a farmer. It doesn't really suit me now.
no subject
He closes his eyes again. Digs his nails hard into his knee. He keeps going until it aches. ]
What shape are you now?
[ He wonders that about himself. What he becomes in the absence of all the others. ]
no subject
[ He's had more names across more worlds than he's lived years, and that's saying something. ]
What do you think I am?
no subject
[ Carver breathes out slow. He sits with the heaviness he feels. That sick sort of exhaustion. He wants to die, maybe, if he hasn't already. Or maybe feel something different. Anything. The gloves blunt whatever damage he might've done to himself with his nails and he can't afford to fuck up his knee. It's pointless to get caught on that idea among all the others. And yet. ]
Nobody, I guess.
no subject
Huh. Well — that's as good an explanation as any.
[ The cigarette is burnt to the filter. He pinches the cherry with his fingers, unconcerned about any cosmetic damage from the brief contact. ]
Just for that, I'll tell you if you really want to know.
no subject
Tell me.
no subject
Do you know, [ he begins, conversant. Genial. ] That there have been sixteen thousand, eleven hundred and nineteen named deities on Earth that have, throughout history, been thought to govern war?
[ Many are gone, lost to time or the very thing he speaks of now. Dead languages, dead cultures, as he said. Humans have really only been recording information for a few thousand years. Less than half his life. ]
Not just war, necessarily. Lots of gods pull double duty. Indra is a bunch of other shit, too — sky, lightning, storms, a bunch of different affiliations with water, and war. Athena is, you know, tactics and all that jazz, and Ares is kind of the bravery, bloodlust and berserker side of it. Kastetanach was conflict, which included martial conflict, but then other things like childbirth or illness. Sauvi was warfare, night, the moon. Etc, etc.
[ Parlour tricks are always a good way to make a point. He knows the gun Carver's holding down to its atoms — weapons that have been blooded always call to him in some way, so it's easier here than it would otherwise be to call it to hand. It vanishes from his grip and reappears in Cy's, and he turns it over in his hands. ]
She likes you. You treat her well. She'll do her best not to jam or rust for you.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)